What Rough Beast

“Turning and turning in the widening gyre   

The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world,

The blood-dimmed tide is loosed, and everywhere   

The ceremony of innocence is drowned;

The best lack all conviction, while the worst   

Are full of passionate intensity.

Surely some revelation is at hand.

Surely the Second Coming is at hand.  

The Second Coming! Hardly are those words out  

When a vast image out of Spiritus Mundi

Troubles my sight: somewhere in sands of the desert

A shape with lion body and the head of a man, 

A gaze blank and pitiless as the sun,  

Is moving its slow thighs, while all about it  

Reel shadows of the indignant desert birds.  

The darkness drops again; but now I know   

That twenty centuries of stony sleep

Were vexed to nightmare by a rocking cradle,   

And what rough beast, its hour come round at last,  

Slouches towards Bethlehem to be born?

­-William Butler Yeats; The Second Coming

At least when the world ends it will be well-documented.

I mean seriously, the entire planet could be falling apart or the second coming will be in full swing and someone, somewhere is going to be tweeting their experience right up until the bitter end – or until they are whisked away to paradise, whichever may be their fate. The really weird part is that their words will probably be etched in the databanks of some communication satellite, unspoken and unread as the millennia pass until either civilization reaches a point where they can once again access the information stored there, or until an alien species that knows how to retrieve the data stumbles across it.

Yes, I know, the world is not ending. Yet. At least it has not ended for those of us who were fortunate enough to wake up this morning. For those of us who woke up with our loved ones safely at our sides, at least the world as we know it has not been turned upside down.

Not everyone has been so lucky.

Today, some people woke up as they usually do, only to be hit with the gut-wrenching realization that a loved one was no longer with them; with the knowledge that they will have to live the rest of their lives without ever seeing their faces or hearing their voices again.

Some never woke up at all.

For those who lost loved ones this last week in Texas, the world as they know it has ended; ended abruptly and violently. Their families, their lives will never be the same again.

No, it is not the end of the world. Yet. In truth, the entire human race could disappear and the world would more than likely eventually recover. Life would find a way.

No, it is not the world that is ending, but it is the end of society as we know it, at least society as we know it in the United States, and for some, that will be as devastating as the world itself coming to an end.

Why do I say that it is the end of American society as we know it? Because, the very definition of society (according to Merriam Webster) is “a community or group of people having common traditions, institutions, and interests.” This used to be true of the United States. Even with its myriad of races and religions and belief systems, and in spite of its obsession with capitalism and rugged individualism, there were common threads that bound us together. Namely, the belief in freedom of thought, freedom of speech, freedom of action (as long as it does not impinge on someone else’s freedom) and freedom to worship, or not, as we see fit, (again, as long as it does not interfere with another’s choice to worship or not as they will). These beliefs were hard and fast threads that kept a society as diverse as ours from falling into total chaos and division.

While there have always been tensions between various factions and parties in our country, and while the various threads have sometimes been stretched to just shy of the breaking point, there have always been those willing to mend the breach, to bargain with the other side in order to reach a compromise that both sides can live with. Time and time again our shared beliefs, those binding threads, have pulled us back from the brink.

That was then. That was before the threads broke.

I’m not sure when exactly it happened. I’m sure a historian could pinpoint the exact moment, but the point is that we broke. At some point it became more important for one side to “own” the other, to refuse to consider legislation that would benefit both sides if it is introduced by their rivals because they can’t let the other side “win.” At some point it became the “goal” of each side to dominate everything from the senate to the courts to the school boards and to keep the “losing” side out of the decision-making process altogether (even though in any scenario, the ‘losing’ side usually represents nearly half of the population). At some point it became common practice to undo any changes made by a previous, competing administration. At some point it became okay to roll-back laws that have been in pace for decades because a vocal minority feel that the laws impinge on their religious beliefs.

It doesn’t matter who is “wrong” and who is “right.” The concepts of right and wrong are subjective. What is “right” for one person may be “wrong” for another based on their upbringing, education, religion etc. This is why our federal government is set up the way it is. Three separate branches; legislative, judicial and executive, each designed to provide checks and balances to the other and to make sure that all citizens, regardless of race, gender, sexual orientation or religious affiliation are treated fairly and given equal opportunity for “life, liberty and the pursuit of happiness.”

The whole purpose of our federal government is to ensure that the laws that govern the country as a whole are fair and equitable for everyone, not just for their voting base or for those who contribute the most to legislator’s campaign funds. That no matter what state you live in, you can be sure of your rights as a citizen of the United States. By unrolling federal regulations and federal laws and passing the decisions to be made regarding individual rights and liberties; rights that impact everyone in the country back to the individual states where local biases and prejudices can impinge on individual liberties and not be held accountable, then we can no longer claim to be a united anything.

The core of our constitution is that “We the people of the United States, in Order to form a more perfect Union, establish justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity…”And if we are not united in our belief that justice, domestic tranquility, defense, general welfare and liberty are the rights of all people – even those whose beliefs or lifestyle you disagree with – then you cannot claim to support the constitution. And if the core of our constitution is not upheld, then the center of American society as we know it cannot hold.

As the center crumbles away, anarchy will be loosed, innocence will be lost, there is a lack of conviction on the part of decent people, and passionate intensity in those who would have the rest of us conform, by force, if necessary, to their view of the world and our places in it.

I don’t know how this is going to end, whether with the bang of a civil war or the whimper of a society slowly dying from the inside out, but unless we can retie the broken threads, the one thing that is certain, is that the center will crumble and that the rough beast of anarchy and apathy will have its hour come ’round at last.

A Life of Their Own

“This thing happens where the characters take over and you almost want to look behind you to see who’s writing your story.” -Joseph Wambaugh

It is one thing when, as a writer, you create a character so realistic and believable that they seem to come alive on the page. It is another thing altogether when the character that you have created takes on a life of their own, sometimes taking over the narrative all together until it feels as if you are dictating the story as it is told to you instead of writing an original piece. Worst of all is when a character becomes unruly, digs in its heels, and refuses to follow the plot line in any way shape or form and even finds ways to undermine your well-planned story.

Not all writers experience the process of characters becoming autonomous, but enough do that it is common to hear writers refer to characters who seem to take over the story line by either refusing to do what the author directs them to, or by taking actions other than those dictated by the author. There are also a good many authors who report that they can actually hear the voices of the characters they have created in their heads, some authors even claiming that they find themselves entering into dialogue with them.

Indeed, while there are some writers who claim that you can’t truly have a successful story unless your characters actually do become autonomous, there are others who claim that the entire idea of a character taking over the story is nothing but hogwash and an indication of a lazy mind on the part of the writer. 

But if you find that your characters do talk to you and that they sometimes seem to take over the story line, don’t be alarmed. Even some very famous writers have reported that their characters seemed very much alive. Take Alice Walker for example.

When Alice Walker was writing The Color Purple, she stated that not only did her characters seemingly choose their own actions, but sometimes they would visit her and even comment on her own life, and not always in a very complimentary or welcome manner.

There are some psychologists who say that the feeling of characters choosing their own actions, of characters taking over the plot line of a story is just a product of the writer’s imagination. They say that these characters have become so detailed in the writer’s brain that the mind is writing their story automatically, without conscious choice from the writer. Further, they suggest that when a writer runs into roadblocks thrown up by a particular character, it is really the writer’s subconscious indicating that it is the writer that is not yet ready to deal with this particular issue. Even if this is the case it doesn’t change the fact that the experience of having your characters write themselves can be disconcerting. Indeed, having them become unruly and destructive of the plot line can be downright frustrating.

Whether you believe that character autonomy is all in the writer’s head or that the characters actually do take on a life of their own, there are ways to deal with the ones who get out of hand.

Ways to Manage Unruly Characters

Dialogue With Them. One of the best ways to dialogue with your characters (both primary and secondary) is to have a sit down with your them as they are developed. Write out their back story, then imagine yourself sitting down with them over lates at a coffee shop or wherever you feel most comfortable with them. Tell them the story that you have in mind, why you want things to develop the way that you have planned and what your purpose for writing this story is. Most importantly, make sure they understand that even though unpleasant things may happen to them in the story, when it is over it is just that, a story, and that they will be free to go on and create their own story after you have written out the one you have planned.

Dialogue can also be done as the story progresses, especially if you find yourself with a character who is resisting your lead or who keeps finding ways to throw a wrench into your plot. Again, sit down with them, ask them why they are doing this, what they wish would happen instead, what it is that they want out of this story. Most importantly, listen to the answers that they give! You never know when something they have to say, some way that they would prefer things to be done just might end up being better than the original story line.

Bargain With Them. If a character is being particularly difficult, and if they will speak to you, then don’t be surprised if you find yourself bargaining with them. “Sure, I will find a way to write about this particular bit of your back story if you will work with me by sticking to the plot line.” Perhaps you find that they don’t want to marry or become romantically involved with a specific character you had in mind. If so, ask yourself if that relationship is necessary to the plot line. Perhaps the characters can be involved as business partners or as friends instead of romantic interests. Does the lead character’s dog/child/relative/friend really have to die, or can it just be badly injured or have a close call?

The most important part of bargaining is to listen to what the character has to say about the situation. What do they want? Why are they digging in their heels over this particular scene or sub-plot? What are they afraid of?

While you may not get everything you wanted to in the bargaining process, it can certainly make writing your story much smoother when direction-resistant characters are involved.

Ask Other Characters for Input. If your unruly character will not listen or speak to you, try sitting down with one of the other characters, preferably one who interacts in the story with your problem child on a regular basis. As them for input. Why do they think that the character is refusing to go with the story flow? What to they think that particular character wants out of the story or thinks that they will get by changing the narrative? Is there any way to give them what they want without ruining the plot line?

Write Them Out. Like a troublesome actor in a soap opera, there is always the option of writing your character out of the story plot. The most permanent way of doing this is, of course, by killing them off, but less permanent solutions can involve sending them off to a foreign country or setting them sort of quest that will take them out of your direct plot line. Then there are the old standbys of having them get married off, or choosing a line of work or a lifestyle that will take them out of the story’s telling range.

Keep in mind, however, that short of killing them off, the particularly troublesome souls will find a way to re-enter the story, usually when you least expect it. Sometimes even the dead ones find a way back. In fact, your best bet in managing a particularly unruly character is to be diplomatic and reserve writing the character out of your story as a last resort.

Try it Their Way. Finally, unless you are particularly attached to a specific story line, plot or ending, why not try it the character’s way? Even if you are attached, there is always the option of writing a second version of the story from the new point of view, then comparing it with my own original plot line. In doing this I have had some fascinating plot developments, some even better than I could have come up with myself.

At the End of the Day

At the end of the day, remember that you are the writer. You are the one who has control over the delete and save key. If worse comes to worst, don’t hesitate to close out of your story and work on something else. Even the unruliest character can be ignored, if need be, and even the most favored of stories can be left in computer storage as long as it takes for the character(s) in question to cool off and open themselves up to sticking with your plot or at least open up to talking to you about it.

Keep in mind that if the psychologists are right and autonomous characters are really products of our subconscious issues, then it might be you, the writer, who is not ready to walk down this particular road yet. Be patient with your characters; with yourself. Chances are that one day you will open that particular story back up and find that you are once more in the flow and that the story comes effortlessly.

Organized Chaos

Writing is gloriously creative chaos. Except when it is not.

On the best of days an idea takes hold, inspiration ensues and the result is pages of unique and well-written text that flow effortlessly from your fingers. On those days it seems as if writing is the most natural thing in the world and there is nothing else in the world that you would rather be doing.

But then there are other days; days when you sit in front of the screen desperate for a glimmer of the inspiration that filled you to overflowing just yesterday, painfully eking out a few words or sentences and wondering what on earth could have possessed you into thinking that you are actually a writer.

On those days it is very easy to find a reason not to write; very easy to let yourself get distracted by phone calls, errands, housework, something, anything else. But if you are going to write for a living, indeed if you are going to make any real progress with your writing at all, even as a hobby, it is important that you not let the down days grow to become down weeks, months, or years. This means keeping yourself focused, and to be focused, you need to be organized even if you normally consider organization to be four letter word. Below you will find five tips for staying focused, organized in order to give your creative juices the opportunity to flow, even under the most distracting of circumstances.

FIVE TIPS TO STAY FOCUSED & ORGANIZED

#1. Schedule a Dedicated Writing Time

The first order of business in being a writer, is to write. Not just to write when the inspiration hits you, but to write each and every day, no matter how you are feeling, no matter whether you feel the creative juices flowing or not.

When you are “in the flow” of an idea, dedicated writing time is hardly an issue. In fact, when inspiration takes hold, it is sometimes more difficult to stop long enough to take care of necessary daily activities. On those days it is laughable to think that you would actually need a dedicated writing time. This particular tip is not for those days.

Setting aside a specific block of time dedicated to your writing is imperative to keep yourself on track, especially for writing projects. Block this time off on your calendar, turn off your phone, mute your notifications, and write. It is especially important to keep to this schedule even when you feel as if you would rather not touch a pen or keyboard.

#2. Carve Out a Dedicated Writing Space

Being a writer is often glamorized as being the ultimate “portable” job. All you need is a computer and a fully charged battery or available electrical outlet or, barring access to a computer, a legal pad and pen, right?

While the ease of portability is definitely a plus when it comes to writing (and who doesn’t like the idea of sitting in a coffee shop, typing away at your story while watching incoming patrons and sipping on a caramel late?), the reality is that when it comes down to brass tacks and you find your writing derailed by your cat sneezing (forget the steady flow of coffee shop patrons) it is best to have a place where you can go where you can block out the world around you and focus completely on what needs to be done.

It really is important that you have a space dedicated solely to your writing. While a separate room is ideal; a place where you can enter into your writing “routine” when you enter and close the door on outside distractions and concerns when you close the door, a whole room isn’t necessary. Even the smallest space can suffice if it is dedicated only to your writing. A desk tucked into the corner of your bedroom, or even a folding tray table and chair set up in the dining room. Sit with your back to the room and add a pair of noise cancellation headphones and even the folding tray table scenario can suffice as a dedicated work space

If you have a whole room to work with, decorate it with things that inspire you; pictures or art that stir your imagination, quotes from your favorite authors, a calendar dedicated just to your writing schedule. If you only have a corner, you can still tack up a photo or bulletin board to serve as the focus to your space.

One thing is important. No matter how small the space you allocate for your writing, that is all that it should be used for. Don’t use it for stacking unused books or let the kids use it as an art space. This space is yours. It belongs to your writer’s soul. This is where you will come when you are at a loss for words; when focus and creativity seem to have deserted you altogether.

#3. Know & Write Out Your Goals

It is not enough just to have scheduled dedicated writing time and have a dedicated writing space. In order to keep the focus on your writing, it is important that you know just what it is that you are wanting to do. Are you trying to finish a particular project? Are you wanting to learn and practice a particular writing technique? Are you wanting to generate ideas for new material? Are you just wanting to keep your writing skills sharp until inspiration hits you with a new idea?

There are many kinds of goals when it comes to writing. Most of these goals can be broken down into long-term, medium-term, short-term or ongoing goals.

Coming up with new ideas or keeping your writing skills sharp can be seen as ongoing goals. These are things that you are going to want to do daily, or weekly in order to hone yourself into the best writer you possibly can. Other projects, such as creating a weekly blog post or submitting one of your poems into a competition, for example, would be examples of short-term goals. Telling yourself that you are going to turn your adventures on last January’s Caribbean cruise into a short story that you want to get published in an online format would be a medium-term goal, while writing and publishing a novel would be a long-term goal.

Regardless of how long it will realistically take you to complete a goal, the first step is in writing down what it is that you are looking to accomplish. Then you can move on to tip #4.

#4. Break Your Goals Down Into Bite-Sized Pieces

If you sit down to a steak dinner it would be more than a little daunting to think that you would have to eat the steak without cutting it up into pieces. The same holds true for your writing goals.

For example, writing and publishing a novel can seem beyond daunting; impossible even if you thought that you would have to do it all in one sitting. But if you break it down into steps and then focus on each step until it is completed, chances are that you will end up with a completed manuscript without even realizing it.

Taking the time to break your goals down into bite sized pieces, then focusing on the first step, then the next step and so on can mean the difference between having piles of un-completed, unpublished work and making a successful career or financially lucrative hobby.

#5. Do Not Become Attached

No matter how useful they are, beware of becoming attached to scheduled writing times and step-by-step goals. This may seem as if it is in contradiction to the rest of what has been written here, but it is important to remember that the four tips listed above are designed to help you stay on track, to keep you organized in what it is that needs to be done and focused on the goals that you have for your writing during the down times; times when you are lacking in inspiration and motivation.

You and I both know, however, that when you once again find yourself caught up in the flow of creativity, and you will, there is no fighting it.

Getting into the habit of writing daily, even when uninspired, of having a dedicated writing time and of breaking down writing goals into logical and organized steps, can be addictive. You feel as if you are actually accomplishing something, and to suddenly abandon this clear-cut schedule with its step-by-step instructions can seem like a risk. However, you need to be flexible enough to know when to let go of the steps and the schedule and just ride that creative wave for as long as you can stay on the metaphorical board.

Writing, after all, is, at its best, gloriously creative chaos. Except when it isn’t.